nice movie wasn't expecting that sort of ending

I sell probank app and opay+ for fake transfers with alerts.dm 08061471337 Note:18+

Ending 6.7/10 nice movie

who came from Instagram 😝😜🤣👉

uu

who came from TikTok 😂

Simba

I read the book. I didn't find it particularly good, and I've read a lot of post apocalypse SF. These fall into two categories: "realistic" attempts to examine behaviour in the aftermath of some catastrophe. The most recent one I would recommend is Octavia S Butler's Parable of the Sower. The second category is nihilistic despairing romance. Anna Kavan's Ice - where the world is smothered in ice - and some early Ballard are in this category. So is The Road (book and film. The Road is basically ridiculous. Neutron Bombing? Nuclear Winter? Giant Asteroid hit? Plague? Humanity eaten by Giant Mutant Pink Ants? The author doesn't tell us because he simply hasn't thought it through. Unlike most regular hard sf apocalypse writers who usually work our their premises carefully You can pick out the sheer silliness of it all yourself but I just put out a few pointers: 99%+ of the population has died in 10 years but they don't have clothes to wear or a decent tent. Only two rounds of ammo? Just so the author can set up a fake dilemma. Farming Humans for Cannibalism? If you have food to feed humans, you would eat it yourself, rather than loose calories. Leaving the bunker - the height of stupidity. Wait out and try to rebuild. And one presumes that the people who set it up would have a) stocked it with weapons and ammo b) medical supplies. So when the Dolt (we can't really call him a Man) gets shot with an arrow he should have had antibiotics etc so he wouldn't die. Medical supplies: ditto the Ship. Question - why does he swim back - are there no life rafts or lifeboats left on the Ship? You could carry a lot more supplies safely. Maddened brigands and bandits: this comes to the heart of the matter, even bandits are likely to negotiate first. They can't afford wounds, loss of members, and may even want to recruit more people into their gang. Safety in numbers. It's just ridiculous that there is no government at all surviving, or people banding together for skill sharing and mutual defence. Why would the nuclear family with the dog accept a lone boy into their group? Unless he had skills that were useful he's just a worthless mouth to feed? If you have read anything about people surviving in adversity, without having a rose-tinted view of humanity, The Road is hokum.

I expect when Oscar nominations are announced next year, you will see at least 2 nominations; Best Picture and Best Actor. What I am not certain of is who will be named as the nominee for Best Actor. Will it be Viggo, who is wonderful in the film, or will it be Kodi Smit-McPhee for doing an amazing performance as boy. I am hopeful that it will be Kodi because, as good as Mortensen is in The Road, I have come to expect that from him.. Kodi has come out of nowhere and has become "The Boy". I saw this film at TIFF and was pleasantly surprised. I was expecting a depressing film that was going to be emotionally draining. What I got was a chance to view a well done film with very minor supporting roles from some very strong actors, and two performances that were wonderful to behold. I would recommend this film to anyone who wants to be entertained and have a quality evening out at the local movie theatre. You will not be disappointed.

"It's not as good as the book." seems to be one of the most common sentences in discussions about movies. I have certainly uttered it many times. I try to judge a film on it's own merits as a separate art form, but cannot help the comparison, especially when elements that I love in a book are sacrificed in the translation to the screen (especially if I felt the changes were made in service of some 2 hour "time limit"). I can only remember one time that I thought a movie improved on a book (The Godfather and the Godfather Part 2.) There are certainly many times I felt that a mediocre book served as the basis for a mediocre movie (The DaVinci Code). Cormac McCarthy's works have generally translated well to the screen, especially No Country for Old Men. The Road was one of the most wonderful books that I can remember - to create a sense of hope against an overwhelmingly dismal post-apocalyptic backdrop is no small feat. As I read it I found myself sympathizing with the fears and frustrations for the man and, at the same time, completely drawn into the innocence and wisdom of the boy. I could not put the book down - I had to know the ending of this story. As I sat watching the movie, I was right back in the book. John Hillcoat and Joe Penhall's collaboration made for a marvelous adaptation of this compelling story. Viggo Mortensen and Kodi Smit-McPhee were outstanding. The film editing and art direction in this picture really contribute to the overall post-apocalyptic feel. The use of color in the otherwise gray backdrop was pure film-making genius. I was dragged to the height and depths of emotions and felt every anguish and small triumph experienced by the on-screen duo. In the end, I experienced both the triumph and the uncertainty of the human condition. And felt that I had seen a movie that was as good as the book.